Continuing the (very) belated Spring 2013 Fiber Arts Degree posts with the last of the Spring 2013 Drawing Class Posts:
For our last Drawing class project we were required to create a large scale (4' x 4') layered piece with our choice of content. We were to consider combining 3 layers of the following: do a pattern with a stencil or something drawn/painted, something projected/traced onto the paper, and there should be a third layer, possibly a 3-dimensional element.
Hmmmm. I tossed around a variety of concepts and settled on using my ancestry as the subject matter.
Although I'm a good representation of the All-American "Mutt", the majority of my ancestors were Scott-Irish with a bit of
Comanche Indian from my Grandfather.
I named it "Faded Heritage".
I decided I wanted to do a
Tree of Life as the first "layer" so I plotted to find a basic drawing that I could project/trace onto the paper. I didn't have to look far and since my favorite was posted by the artist with supporting comments and had website print options, I presumed I wouldn't be infringing a copyright if I used it.
{
My apologies…doing this post a year delayed, I can no longer find the design on the internet to give credit where it is definitely due. My profound compliments to the artist - you drew spiffiness.}
My fellow students and I took turns using the elderly {and near-burning hot}
Artograph Tracer Projector in a darkened supply closet to trace our chosen pictures onto the 4' square of paper.
I then outlined the large pencil tracing in permanent ink marker and then overlaid it with indian ink (with which I was very enamored after the
Landscape project). The instructor suggested I broaden the use of the ink and add shading to give the celtic over-under flow some dimension. I really liked the effect.
Somewhere along the lines (pun-intended!) I decided I wanted to flick indian ink speckles on the paper.
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{Woo-hoo!} Stand back, I'm gonna splatter ink! |
I also plotted the other layers:
I drew and cut out a celtic knot stencil and I tried to carve a stamp of the
Comanche Nation seal from foam (sadly, it's more of an "ode" to the seal rather than something recognizable {sigh}):
And lastly I wanted to represent the Scottish Tartan of my family. I tried to mix the appropriate paint colors to emulate The
Royal Stewart Tartan. I applied the paint onto drawing paper and, using my newly-learned
Mixed Media Plaiting skills, cut it into strips and then wove it into paper-plaid squares.
I used the tartan-colored paint along with other paints leftover from the
Color and Composition Final project to apply the celtic knot stencil onto the page…and I happily took the opportunity to flick more speckles of paint. {Color Speckles! Honestly, it was hard to stop…}
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I got pretty colorful too. |
At this point, I rather liked the way the project was turning out.
CooPurr approved too.
{Ok, he would have approved more had I let him lay upon the crinkly, colorful paper…}
But I didn't much care for the idea of applying the plaid squares…they seemed to throw off the knots and speckles:
I did try to use the plaited squares as stamps on the project:
And I experimented with the best way to attach the woven paper pieces, but I still wasn't particularly pleased with the idea of that 3-D/third layer on top of the celtic stamps and tree.
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Putting clear packing tape over the area that I'd be sewing through seemed the best method. |
I could not seem to get past the tartan-layer so I actually attempted to turn in the project without the 3-D layer on the last day of class during the 15-minute review meeting with the instructor.
{Figuring I already had lots of layers of paint and ink…}
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Allllllll my drawing work for the semester filled up all three rows of desks in the class room. |
However, the instructor convinced me that last layer was necessary and would improve the piece.
I agreed to do the deed, but the attitude when I got home was a bit grumpy. Here I'd thought I was alllll done, but now I needed to tack on woven bits of painted paper. {
whiny sigh, grump, grrr}
{Although it was pretty darn nice of the instructor to let me have another day to tweak the project.}
I setup to work in the "outdoor studio"(back porch) because it's a cat-free zone but it was too windy so I even more grumpily moved inside.
I was well-into the "Hate it!" phase of this art piece. {sigh}
Shortly thereafter, I was gifted with the opportunity to save a life {"
Drying feathers and a Loud Chirp"} and that stopped my whinging about re-finishing the drawing project.
After the attitude adjustment, I sewed on the woven tartan bits and turned in my final drawing project.
Although it didn't qualify for a place on the walls of the Pima College Library, it did hang in the Art Department "Gallery" all summer.
And….I'm kinda pleased with it. Kinda. The plaited tartan bits make the piece more interesting, but…